Heya everyone,
Like Emma, I thought I lucked out of doing this, so you’ve all waited a long time but here’s my summary of Catherine Waldby’s The Instrument of Life: Frankenstein and Cyber Culture which was our reading WAY back in week 4, so forgive me if this is a little scatter-brained. The article talks about the parallels between the Frankenstein monster and the idea of cyborgs.
Waldby’s article focuses on the original story of a cyborg and technology out of control which is Frankenstein by Mary Shelley (1831). The story is about the loss of origin, which is what a lot of stories involving cyborgs is about. Waldby outlines the story but focuses on how Frankenstein the scientist rejected his creation, thus the loss of origin not only for humans but our creations too.
Here are some of the main points Waldby finds in Frankenstein:
- Technology out of control
- Human-like creation that hates it’s creator
- “… loss of origin securely located in nature” pg 29
- Transformations of organic life
- Human body/sociality owe greater debt to techno scientific and mechanic systems of production/reproduction
- Complex body, tangle of technology and nature
Waldby draws parallels between Harraway’s cyborgs and Shelley’s Frankenstein. Mainly how both look at the ideas of “Human becoming” (pg 36) since both represent two sides stepping towards the next step in evolution, whether that’s through defeating death (in Frankenstein) or accepting our new cybernetic parts from Harraway.
According to the article, Shelley’s story seems to teach the lesson that it’s dangerous for people to try and ignore our new “cybernetic” parts, or we’ll end up destroying ourselves and similarly to Harraway’s Manifesto portrays cyborgs with a more optimistic view. Ultimately, it was Frankenstein’s rejection of his creation that resulted in his demise. The creation’s resentment towards his creator and all humanity develops from his rejection. Waldby then uses the example of Bicentennial Man (1999) as the opposite effect, a robot that wants to become human. It seems to be a common theme in cyborg media that our creations either want to become us or destroy us.
A theme only touched on in the article is how Frankenstein became interested with the idea of reanimation after the death of his mother. I can’t help but wonder if this was also a loss of origin and if it was his mother Frankenstein wanted to bring back to life, why was his creation male?
Through science fiction we can create the “possible worlds” (pg 37) which are open to ideas such as cyborgs and our relationships to technology. I was going to end with some images from the Frankenstein movies so I typed into google “Frankenstein” and while I found a great picture of the original concept I also found a website about a book called What Technology Wants by Kevin Kelly which sounds like an interesting read if you’d like to look further into this topic.
Questions:
· How is the Hollywood representation of Frankenstein different to the original story and why is this?
· How would the story of Frankenstein be different if:
The Creation was female?
Victor accepted his creation?
· Is popular culture’s impact on technology detrimental to the development of robotics? ie) showing evil robots
· Frankenstein is described as a reflection of his creation, is this true for other cyborg stories? (Johnny Walker ad, Bicentennial Man, Star Trek etc)
· Sexuality is not part of our bodies? Is there sex in the Frankenstein story? What does it’s presence/absence mean?
· Parallels between cyborgs and the creation?